ANNOUNCING BLUE & YELLOW DOG

I would like to invite poets to read & submit to Blue & Yellow Dog, a new web site I am starting up. To get it off the ground I need poems, Concrete Poetry, videos, audio readings and other sound experiments, art work, photographs, & even YouTube clips. Send whatever you feel comfortable submitting in a single PDF or Word doc email attachment. Send them to me at warholaray1@embarqmail.com. In the meantime spread the news and check out the site at Blue & Yellow Dog.

Kettles of Approval

well along
each roped poem
means

one-armed

mountainous

a west/turn
coping fundamental
radii

wherein
kettles of approval
delay

lacing
upon making tracks

& asking the sky--

so purple
&schistose

&crossing at flats--

such a code
within ranges--

what seeks itself
in swerving

wearied by
encryption?

Fractions of a Mood Swing (Cedar Key, FL)

This perdition of littoral.

Collaborates intensely.

One fifth its aspect appears alternatively a blue engulfed.

Its edge a difference.

Ogles barnacles apprehensively.

Gulf sways in lunar efflorescence.

Yet sepia to begin.

Flaming flushed heart makes sense of a pier.

Grey creaking dock slack in disinterested tide.

Chipped white paint flaking harbor house.

Wobble of signs in evening breeze.

Act out the lonely end of.

Flat creatures painted on shells.

Evade interpretation.

passage to a nude kind of {power sys}

I.
Weeping douche bags, named Filipo Espoo
Lay quadrant together twined
Finland (usurist amerikan rites attack grid off key a sample of the
Decomp— i(task Turrets Syndrome. (CHarl—
The Scourerr,
The sorcerer’s gal pal on/off
(the man tag/guard(ted, avant gardened
ASK--positional pupae, to doffe cette caper
Jollyseine mastiff locator latrine watch me
Inch wittle: “I gotta stiff—ecco Prego!”
Meine(HDtv)’d, iii et al
If I verify:NASA ASAP
Programmatically post—p oint of reference-ilism / naughty ici
on commandchi
re: grid-girl —athon(esque acid –itation
launch internet denies twin eggo!!
Blah!baby,BLAH!

II.
What is wrong with Postmodernism is…
The very thing it is—a passage
To a very nude kind of {power sys}massage morphology in jarred moon phantom
Of LOVE, my calling is immediate/a dive
Antimacassar drive train laughing to punctuate order
Effective global capital nuisance claim
Ridiculous slotted fellow out of Seattle
Apparatus of power mouse pads—Diderot-like
At the root
A brain case highboy oak-back monkey lunatic iota buff
So doing it collapses the complexity of the history of

As the origin of
Uncanny resemblances/&suites ahoy!
Ever grater rats of gratis turnover frozen culling
Experimentation thru
EMPIRE/turmoil
It des-troys itself thru them glassware
Being radical Chimera at Kwik King convenience store: 59¢

“I swear I didn’t sayTHIS THAT or the oyster thing recklessly
Once removed
The multitudes are key
Refers to level
Feminine tableau tone Pop (t)Art on quantum Brattle Sq.
Or NOON near San Sulspice

III.
Nor evil adjunct ,sub
trahend
Inch universe ping p ing pinging things mention
of.
“post modernism [BYTES]intellectual” boxes
Tenement shadow life of dodo
Bliss living out dusk(summer, august—dry august wind—
Prevailing “political movement tends
To be language of the
Elite, whereas
Diacritical dialectic/ballad, oxygenated wire-proofed
(et noir)
The barbarians, Paul, & macaroni elbow song

of. Regular incline.
Suspicion of: “q’est-ce que uneSIGNlanguage?”b-a-c-kwards…
N-G-I-S mirrored/ “committed to the truth
And real political change”
See Ibid. pp. 154-6 on Amy’s farm in Weirsdale
Ore Utica, inert
Meddlesome post-
Modernist postmortem
not. Spoofed/neglected chowder head egasm finger tip campanile
Just format Wal-Mart Andy Warhol I’m laughs.
“Whereas for Bhabba it is as if

We were”—
Polonius speaking ghetto
Intrinsic dildo enacting roughly
A radio unearthing Nickelodeon Daze—
Relenting to act nervosa in other words

Crater. Baste. Interrupt. Pall Over Dozen. Oven. Manor. Song. Imply—

SPLASH down!
Eating old regimes from inside a bubble gum dispenser
The news flows/follows
The krill is gone, baby…a long way to a second addiction
Shoots watts
Askew rocker pins
Settee
100 pixels
Talks garbage

TWO TEXTS

Raymond Farr - Two Texts

unWholy ePisodes

I posed

A hundred years while playing
Misfortune’s bitch

At the Bay House Theatre a lightning bolt hit us
Knocking out Time’s teeth
On a baby grand piano

I sat like a rat
Trapped in the limelight

I paused
To put on yr funny funny face
Before weeping like a man in a little girl-mask

I vomited doom
& danced like a harlequin

As I brought down the house
I dreamed I heard a sensible tale

I stole every line
& staged it at midnight

Off beat
In a manner of speaking

A fire caught fire in one little chair

My bed room got soaked
By the flood of your tears

I ate the heart of a live grenade
& all I remember is

How sensitive were the calla lilies

**

With my razor hand
I crumpled up a Budweiser beer can

The dregs at the bottom
Predicted a fracture
Of half-drunken images

I foresaw myself as an ember
A loose fiery speck turning to soot

Caught in the crook of a small distant branch

& all of us corpses dipping our heads
In submission
Almost religiously
Walked in & out of a bath of odd yellow light

Blinking: Caution! Caution! Caution!

A single crow mocking us: caw caw caw
Getting half the word out

**

The Thames appeared grey
Precipitously neutral
Faint & fading against a patter of commerce

Raunchy as the dead & dying tribes of shrill & screeching prep school girls
Marching down Fleet Street

**

Dear Miracle on Fleet Street,

I am taking your place
Yr leaden sentiment kills

My heart is a poem & a place
Beyond what is named

What is felt is all wrong

You must justify your version
You must walk without hesitating

Nothing is measured
I must always persuade you

To listen

Are you mad as a Hatter?
Are you normal as normal can be?

The whole world it seems
Is shattered / destroyed

A door opened only
At the mezzanine level

Of the great San Francisco fire
& earthquake of 1906

**

I am leaving
You alone

I no longer feel
Any empathy

For the tumult of the 20th Century

I am beginning
A new plot

Chock full
Of new twists

Better than
All my previous attempts

At gore
& redemption

The circles
Are plumper

More savory

Hallucinatory

Like hens
Force fed on

Growth hormones
& Iowa corn

**

A moment alone
Looking at

A long silent parrot fish
A feeling if you must

These are a new American subconsciousness

The cravings of a half life
Alien
& underground

The last thing anyone needs
Is a vibration
That’s only mostly human

**

As the last of the land came rising up

I latched
Down

Any tempo
Around me

**

This seemed
Like a paradise
At first—purely Calvinist & the Chipmunks
Were delicious
Cartoons

So we stopped
& got civilized—

A man named Sherman married a woman named Sarah

He opened a dry cleaning business

He died the next day

He was one who looked out

He was buried in winter

The very next day his dog ate a raven

He had such a year

He felt he could breathe

He died of a blood clot stuck in his brain

He could’ve been saved had he not eaten fat

Which he ate every day

A pearl
Was his handle

A prairie
Appeared

He got up
& he line danced

He loved
Terra Haute

In a huff
He gave way

He sorted
His feelings

His tears
Were like snow flakes

Like ice flows
That spiraled

They were
Joy

That was
Spring

& his poems
Were like persons

All laughter
Some bitter

**

My little pet crab cake
Got yanked off its leash

& ran off the road

Its words were so beautiful
It stood in a film

On aisle 9
It seemed a dangerous balloon

A gift for now
A pittance for later

Fat as a Fatty Arbuckle

Hazy & abstract as
Rothko’s post-war abstractions

Fat flat horizontal

A shimmer of color
For sale at the end

**

In the absence of the wiener cart man
I zip up my fly in the amber museum

Our jazz piano pointless as a village
With one mouth
Between ‘em

& dreaming of fire
& hollow as a hollow man
A strange wild horse still snorts like a fiend
In make-believe stables

In the nightmare of horse stalls
It kicks out at phantoms

& spits
Wanting out

Of this cockeyed world

Some of us are cherubim
Some of us are demons

Our bodies flung against
Rake of the railroad tracks

Like piano keys
One ivory
One ebony
Set adrift in a copse of slowly dying elms

Our eyes look up
& there on the bulletin board—the haggard but heavenly face
Of warlord LBJ

A face can be art
Or as sad as a cloud
But never a warped wooden frame

**

& this is how we live now—

Conniving with doubt
A curse on or lips

The clock we’ve become has been disassembled
Deconstructed by angels of pure undulation

The future applies itself

On a face without skin
We sit in our skeletons
Shivering & winsome
Aching in our kitchens

Why don’t we cry?
Why do we wail?

We beg our brothers for money
For food

We beg them for mercy
For our children

Expecting none
For ourselves

But receive only a promise
A face that is twisted & carbuncled

We are laughed at
& ridiculed by the neighborhood urchins

Who turn off their scorn
And battle each other

Squabbling
Like the children they are
Over maps they have found

One word to settle disputes
The oldest of which is Meaning

& by this it is meant
A boy bringing chocolates
& daffodils to school on St Valentine’s Day

Useless in a sense
But prevalent

Nearer art & poetry
Than a thousand confiscated canvases
Than all the contraband volumes of verse
Locked away in the dark
Or burned on the square

In the gleam
Of an eye
We catch sight of the censor

& we are the censor

**

In the phone book
Is the answer to most

???questions

This was Kafka’s
Father’s

paternal contention

**

The remains of

Miles Davis
Though trumpets cut flowers in the 21st Century

Countries
Not faces

Are hawked by his trumpet
Make silence a downer

One is the Bronx
Where the hiss of a radiator
Is sending my love

A lobster
From clairvoyant Chicago

Circa the Jazz Age

& foolish with blood stains
Are love’s petty radio waves

A blue cow
Said someone in church

(Mistaking The Fauves

For the animal
De bruk)

A new music box
Enters an old social era

**

As though the west progressed

One belittling at a time
Of need

A single word
Begets a second

& writing
Is a crow

A Bishop’s miter becomes a tale
That is hidden

Sidestepped
Marginal for its skepticism

It falls
To one side
Muddy
With contagion

Forward march, said the one story pre-fab
& up the driveway we stormed

But holding our tongues

We shaved off
Our beards

Our beards of water

Our beards of nourishing peanut butter

A knife at our throats
At a low point of Lent
The ashes ran through us

**

Skunks slink among the seat cushions
Of the divans of our Greek inheritance

They lurch and they poke
Looking for coins

Rank crumbs bristle against skunk smiles
Their feasts are bits of stale potato chips
& Oreo crumbs

The birthing of the postmodern
Cinema / abattoir
Summons them to street corners

The nexus of whirling
Is the intersection of a boulevard
& a man with amnesia

As father is
A gutter
Is a beautiful skunk
But lacking speech
His eyes dim
& glitter
With animus
Impossible skunk
A deep sadness
Derides him

He writes out in long hand some difficult passage

A miniscule lyric
To be critiqued

& passed on

**

Our traffic school is French today

A psychological dream
Of a flute & French horn

It plays itself
As if by an If

Maybe a gull
Killed dead in mid-air

Still flaps
Its wings

Enter Monsieur Voyeur
At l’ecole despair

Where do all our little wrongs go?

**

I just gotta say…

Aloha, Hugh Hefner
Hello, Adolf Hitler

I started Prilosec today

I am young & featureless

& stuffed like a teddy bear

A haggard man
Handles the wheel

I have eaten my share of cranberry soap

Simon says…

What have you heard until now?

The history of the suffering of the foolish computer

Whose startling biography
Is no match for a human’s

The myth of the broken down dreamer
The deep-sleeping fat one
Whose deep-seated angst is a line dancing bear

His raptors’ repast is the song of a cricket
Whose soul is a suicide

I drift in & out of
The satisfying lines

& ghoulish notes
Of statistics

If this is all a mental Christmas experiment in love
I have only imagined I exist
As a colorful Chagall

In a void
Of skewed

& skewing
References

**

Volvo

The Magician’s boxy black girl friend
Is blocking access

To his view of the future

The old man can’t find
His prize possession